First U.S. Exhibition To Encompass Photographer Stephen Shore’s Entire Career | MoMA

Stephen Shore

November 19, 2017–Spring 2018

Floor Three, Exhibition Galleries

Stephen Shore. Santa Fe, New Mexico. June 1972. Chromogenic color print, 5 x 7 1/2″ (12.7 x 19.1 cm). The Museum of Modern Art, New York. Acquired through the generosity of Robert B. Menschel. © 2017 Stephen Shore

This is the first U.S. survey to encompass Stephen Shore’s career in photography, from the gelatin silver prints he made as a teenager to his current engagement with digital platforms. This major exhibition tracks the artist from his wunderkind beginnings—works made when he was just 14 years old were acquired by Edward Steichen, the Director of the Department of Photography at MoMA, and he had a solo exhibition at The Metropolitan Museum of Art when he was 24 years old—through his continual, restless interrogation of image making. The exhibition will include hundreds of photographic works, along with additional materials including books, ephemera, and objects.

Stephen Shore. Lookout Hotel, Ogunquit, Maine. July 16, 1974. Chromogenic color print, 17 × 21 3/4″ (43.2 × 55.2 cm). The Museum of Modern Art, New York. Acquired through the generosity of an anonymous donor. © 2017 Stephen Shore

Shore (American, b. 1947) has worked with many formats and mediums of photography, and this gathering of hundreds of his works will allow for a fuller understanding of the diversity of his output. The exhibition will feature historic and recent prints of black-and-white and color photographs, books, periodicals, films, portfolios, and digital works, including many that have never been published or exhibited, from his Conceptual projects, the American Surfaces and Uncommon Places series, his landscapes of the 1980s, commissions, and his recent explorations of Israel and Ukraine.

Shore’s first survey in New York in 10 years, this exhibition will both establish the artist’s full oeuvre in the context of his time—from his days at Andy Warhol’s Factory through the rise of American color photography and the transition to large-scale digital photography—and argue for his singular vision and uncompromising pursuit of photography’s possibilities.

Stephen Shore. U.S. 97, South of Klamath Falls, Oregon. July 21, 1973. Chromogenic color print, 17 3/4 × 21 15/16″ (45.1 × 55.7 cm). The Museum of Modern Art, New York. The Photography Council Fund. © 2017 Stephen Shore

Organized by Quentin Bajac, The Joel and Anne Ehrenkranz Chief Curator, with Kristen Gaylord, Beaumont & Nancy Newhall Curatorial Fellow, Department of Photography, MoMA
The exhibition is supported by the Annual Exhibition Fund.
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